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January 2, 2010
Mutant Anxiety
San Francisco Chronicle
'Mutant Anxiety': Angst, woes in colorful veins
by Patrick Knowles
The cast of characters in the current exhibition at the Michael Rosenthal Gallery looks as if they came from the Island of Misfit Toys.
There are abominable snowmen dancing in knee-high socks, a buffalo surrounded by psychedelic droplets of stars, men in khaki pants holding wooden logs and what looks like a trippy Rorschach-esque pattern adorned with floating lips and snakes. "Mutant Anxiety," works by nine different artists from around the country, pops with playful color, bridges a street art sensibility with a contemporary gallery finesse and welcomes anyone who has ever felt like an eccentric oddball to explore.
When asked what anxiety or mutants might have to do with the collection, gallery owner and director Michael Rosenthal looks around the space and says with a smile, "Honestly, I still really have no idea. People will look for threads of meaning and some have a heightened academic approach to what art is and I respect that, but I want people to come see the work and find their own story."
He laughs and adds, "I suppose the one thing I did keep in mind was that this was a spirited show for the season, so I just tried to avoid paintings of people with knives in their heads or something."
Speaking by phone from Denver International Airport, Brooklyn artist James Benjamin Franklin contemplates modern-day nervousness and makes his way through crowded holiday lines. He says, "I don't think it is a new type of anxiety, but given the pace of life, we seem like we are all on a stage of high alert."
The sound of a woman's voice is heard in the background, informing people over a loudspeaker, that the U.S. threat level is orange. "That was trippy," he says. "It's stuff like that that kind of mutates our lives these days I suppose. Maybe the work in the show is a response to that." He adds with a laugh, "Then again, we are artists after all so maybe it just comes a bit more naturally to us." San Francisco artist Matt Furie agrees. "I feel like this is an anxious mutated world we are living in right now," he says. "But then again, I also happen to draw mutated creatures that are worried about things. So while I didn't know about the title until later, it works just fine for me."
In the beginning of a year that saw a heightened economic strain throughout the art world, both collectors and artists alike are finally starting to see positive signs of change around the corner. In this context, the idea of having an unnatural fear is a fitting bookend to a decade with extreme highs and lows. While interpretations of the title will certainly vary, the success of "Mutant Anxiety" might indicate the fact that even though they were put through the ringer, the misfits of contemporary pop surrealism are here to stay.

- Patrick Knowles

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